Readymade

1 | readymade

Contents

EXERCISES

dynamic

fair use

ARTWORK

rrDNA

Introduction

In this project, you will experience appropriation as a careful conceptual strategy in which the meaning of an original work is altered by you through various means of transformation. What do we mean when we say that? Let’s draw a lesson from art history, a century ago…

When Marcel Duchamp drew on a common postcard image of da Vinci’s Mona Lisa, he noticed something:

The curious thing about that moustache and goatee is that when you look at it the Mona Lisa becomes a man. It is not a woman disguised as a man, it is a real man, and that was my discovery without realizing it at that time.

-Marcel Duchamp 1

Is this a cheap prank or a high concept? The debate still rages a century out, but one thing is clear: Duchamp changed the game. Whether it’s called by the Duchampian term “readymade,” or identified as a “found object,” an “appropriation,” a “remix,” or a “mash-up,” artists have ever since felt free to incorporate the work of other artists in their output.

How can they get away with it? Isn’t it lazy? Isn’t it plagiarism?

Maybe not if it’s done right—which will be your challenge!

Marcel Duchamp
L.H.O.O.Q.
Readymade rectified (card w graphite)
original 1919, replica circa 1940 2

Objectives

After completing this project you will be able to:

  • use text- and video-based tutorials to acquire software skills in a self-guided way
  • understand digital interface metaphors to real-world work environments
  • understand and use visual principles of time, motion, and dynamic composition 
  • use advanced searching techniques for legal and ethical appropriation and citation of source material  
  • work with cloud-based tools for storage, sharing, and retrieval of content
  • develop mind map and storyboarding strategies for brainstorming in the sketchbook
  • create an emotionally engaging, time-based multi-media art work
  1. Duchamp, Marcel, quoted in Schwartz, Artur. The Complete Work of Marcel Duchamp. London: Thames & Hudson, 1969. ppl 476-7.[]
  2. Arthive[]
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