{"id":3396,"date":"2023-08-25T16:34:52","date_gmt":"2023-08-25T16:34:52","guid":{"rendered":"https:\/\/williamcromar.com\/newmediawiki\/?p=3396"},"modified":"2024-01-12T11:12:40","modified_gmt":"2024-01-12T11:12:40","slug":"co-evolution","status":"publish","type":"post","link":"https:\/\/williamcromar.com\/newmediawiki\/co-evolution\/","title":{"rendered":"Co-evolution"},"content":{"rendered":"\n<div class=\"wp-block-columns has-white-background-color has-background is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><a href=\"https:\/\/williamcromar.com\/newmediawiki\/nmw\/2d-digital-art\/\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" data-attachment-id=\"15\" data-permalink=\"https:\/\/williamcromar.com\/newmediawiki\/nmw\/campfire300\/\" data-orig-file=\"https:\/\/williamcromar.com\/newmediawiki\/wp-content\/uploads\/2023\/07\/campfire300.gif\" data-orig-size=\"300,300\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"campfire300\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/williamcromar.com\/newmediawiki\/wp-content\/uploads\/2023\/07\/campfire300.gif\" src=\"https:\/\/williamcromar.com\/newmediawiki\/wp-content\/uploads\/2023\/07\/campfire300.gif\" alt=\"\" class=\"wp-image-15\" style=\"aspect-ratio:1;object-fit:cover;width:120px;height:undefinedpx\"\/><\/a><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center has-small-font-size\"><strong><a href=\"https:\/\/williamcromar.com\/newmediawiki\/nmw\/2d-digital-art\/\">2D digital art<\/a><\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><a href=\"https:\/\/williamcromar.com\/newmediawiki\/the-neverending-story\/\"><img loading=\"lazy\" decoding=\"async\" width=\"520\" height=\"520\" data-attachment-id=\"76\" data-permalink=\"https:\/\/williamcromar.com\/newmediawiki\/nmw\/2d-digital-art\/neverending\/\" data-orig-file=\"https:\/\/williamcromar.com\/newmediawiki\/wp-content\/uploads\/2023\/07\/neverending.png\" data-orig-size=\"520,520\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"neverending\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/williamcromar.com\/newmediawiki\/wp-content\/uploads\/2023\/07\/neverending.png\" src=\"https:\/\/williamcromar.com\/newmediawiki\/wp-content\/uploads\/2023\/07\/neverending.png\" alt=\"\" class=\"wp-image-76\" style=\"aspect-ratio:1;object-fit:cover;width:120px;height:undefinedpx\" srcset=\"https:\/\/williamcromar.com\/newmediawiki\/wp-content\/uploads\/2023\/07\/neverending.png 520w, https:\/\/williamcromar.com\/newmediawiki\/wp-content\/uploads\/2023\/07\/neverending-300x300.png 300w, https:\/\/williamcromar.com\/newmediawiki\/wp-content\/uploads\/2023\/07\/neverending-150x150.png 150w, https:\/\/williamcromar.com\/newmediawiki\/wp-content\/uploads\/2023\/07\/neverending-100x100.png 100w\" sizes=\"auto, (max-width: 520px) 100vw, 520px\" \/><\/a><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center has-small-font-size\"><strong><a href=\"https:\/\/williamcromar.com\/newmediawiki\/the-neverending-story\/\">6 | neverending<\/a><\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image is-style-rounded\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"258\" height=\"258\" data-attachment-id=\"2210\" data-permalink=\"https:\/\/williamcromar.com\/newmediawiki\/the-neverending-story\/co-evolution\/\" data-orig-file=\"https:\/\/williamcromar.com\/newmediawiki\/wp-content\/uploads\/2023\/08\/co-evolution.jpg\" data-orig-size=\"258,258\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"co-evolution\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/williamcromar.com\/newmediawiki\/wp-content\/uploads\/2023\/08\/co-evolution.jpg\" src=\"https:\/\/williamcromar.com\/newmediawiki\/wp-content\/uploads\/2023\/08\/co-evolution.jpg\" alt=\"\" class=\"wp-image-2210\" style=\"aspect-ratio:1;object-fit:cover;width:120px;height:undefinedpx\" srcset=\"https:\/\/williamcromar.com\/newmediawiki\/wp-content\/uploads\/2023\/08\/co-evolution.jpg 258w, https:\/\/williamcromar.com\/newmediawiki\/wp-content\/uploads\/2023\/08\/co-evolution-150x150.jpg 150w, https:\/\/williamcromar.com\/newmediawiki\/wp-content\/uploads\/2023\/08\/co-evolution-100x100.jpg 100w\" sizes=\"auto, (max-width: 258px) 100vw, 258px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center has-small-font-size\"><strong>coEvolution<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\"><div id=\"ez-toc-container\" class=\"ez-toc-v2_0_82_2 counter-hierarchy ez-toc-counter ez-toc-grey ez-toc-container-direction\">\n<div class=\"ez-toc-title\" style=\"cursor:inherit\">Contents<\/div>\n<label for=\"ez-toc-cssicon-toggle-item-69f13f6c52166\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"ez-toc-cssicon\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #999;color:#999\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #999;color:#999\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-69f13f6c52166\"  aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/williamcromar.com\/newmediawiki\/co-evolution\/#A_strange_loop\" >A strange loop<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/williamcromar.com\/newmediawiki\/co-evolution\/#A_never-ending_story\" >A never-ending story<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/williamcromar.com\/newmediawiki\/co-evolution\/#Portfolio_case_study_I_Boite-en-Valise\" >Portfolio case study I: Bo\u00eete-en-Valise<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/williamcromar.com\/newmediawiki\/co-evolution\/#Portfolio_case_study_II_A_labyrinth_into_which_I_can_venture%E2%80%A6\" >Portfolio case study II: A labyrinth into which I can venture\u2026<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/williamcromar.com\/newmediawiki\/co-evolution\/#Portfolio_case_study_III_Ulysses_and_the_fold-in\" >Portfolio case study III: Ulysses and the fold-in<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-6\" href=\"https:\/\/williamcromar.com\/newmediawiki\/co-evolution\/#Leporello_a_book_with_multiple_readings\" >Leporello: a book with multiple readings<\/a><\/li><\/ul><\/nav><\/div>\n\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\"><div class=\"wp-block-image is-style-default\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"325\" height=\"281\" data-attachment-id=\"3397\" data-permalink=\"https:\/\/williamcromar.com\/newmediawiki\/co-evolution\/escher_hands\/\" data-orig-file=\"https:\/\/williamcromar.com\/newmediawiki\/wp-content\/uploads\/2023\/08\/escher_hands.jpg\" data-orig-size=\"325,281\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"escher_hands\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/williamcromar.com\/newmediawiki\/wp-content\/uploads\/2023\/08\/escher_hands.jpg\" src=\"https:\/\/williamcromar.com\/newmediawiki\/wp-content\/uploads\/2023\/08\/escher_hands.jpg\" alt=\"\" class=\"wp-image-3397\" srcset=\"https:\/\/williamcromar.com\/newmediawiki\/wp-content\/uploads\/2023\/08\/escher_hands.jpg 325w, https:\/\/williamcromar.com\/newmediawiki\/wp-content\/uploads\/2023\/08\/escher_hands-300x259.jpg 300w\" sizes=\"auto, (max-width: 325px) 100vw, 325px\" \/><figcaption class=\"wp-element-caption\"><em>M. C. Escher, Drawing Hands, 1948<\/em><\/figcaption><\/figure>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"A_strange_loop\"><\/span>A strange loop<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p>A study of biology might lead you to the concept of&nbsp;<strong>co-evolution<\/strong>. This is defined as the \u201cchange of a biological object triggered by the change of a related object.\u201d<\/p>\n\n\n\n<p>This is an apt metaphor for the relationship between your original work and that representation of it that we call a <strong>portfolio<\/strong>. On the one hand, the very minute you create new work, your portfolio is obsolete. On the other, when you create a portfolio, with all of the editing and decision-making it entails, it changes your perception of what is interesting. This quite naturally affects the direction your work takes next. This relationship is a feedback mechanism that feels much like M. C. Escher\u2019s <strong>Drawing Hands<\/strong> lithograph. Where does the cycle start \u2014 or stop?<\/p>\n\n\n\n<p>In his book\u00a0<strong>G\u00f6del, Escher, Bach<\/strong>, this is what Douglas Hofstadter calls a\u00a0<a href=\"http:\/\/en.wikipedia.org\/wiki\/Strange_loop\" target=\"_blank\" rel=\"noreferrer noopener\">strange loop<\/a>. He defines this as a phenomenon that \u201coccurs whenever, by moving upwards (or downwards) through levels of some hierarchical system, we unexpectedly find ourselves right back where we started.&#8221;\u00a0A portfolio exists apart from the individual works collected in it. Over time, we can and should replace those works with other, newer works. A portfolio cannot, however, exist without the discrete works that give it a particular essence \u2014 the author\u2019s worldview, if you will.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"A_never-ending_story\"><\/span>A never-ending story<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<p>The portfolio\u2019s existence is, as a whole, certainly other than the sum of its parts. Nevertheless, as the author\u2019s expression of his or her worldview evolves, the parts (the works) and the whole (the portfolio) <strong>co-evolve<\/strong>. Each affects the other as these levels of hierarchy return to infect each other.\u00a0Like the two halves of Michael Ende\u2019s fantasy novel <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/The_Neverending_Story\" target=\"_blank\" rel=\"noreferrer noopener\">The Neverending Story<\/a><\/strong>, these two halves of your work are mirror images of one another. And we all know what happens when two mirrors stand face to face: a strange and infinite loop!<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"374\" data-attachment-id=\"3409\" data-permalink=\"https:\/\/williamcromar.com\/newmediawiki\/co-evolution\/kane\/\" data-orig-file=\"https:\/\/williamcromar.com\/newmediawiki\/wp-content\/uploads\/2023\/08\/kane.jpg\" data-orig-size=\"500,374\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"kane\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/williamcromar.com\/newmediawiki\/wp-content\/uploads\/2023\/08\/kane.jpg\" src=\"https:\/\/williamcromar.com\/newmediawiki\/wp-content\/uploads\/2023\/08\/kane.jpg\" alt=\"\" class=\"wp-image-3409\" srcset=\"https:\/\/williamcromar.com\/newmediawiki\/wp-content\/uploads\/2023\/08\/kane.jpg 500w, https:\/\/williamcromar.com\/newmediawiki\/wp-content\/uploads\/2023\/08\/kane-300x224.jpg 300w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><figcaption class=\"wp-element-caption\"><em>Orson Welles, still from Citizen Kane, 1941<\/em><\/figcaption><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Portfolio_case_study_I_Boite-en-Valise\"><\/span>Portfolio case study I: <em>Bo\u00eete-en-Valise<\/em><span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<p>During the rise of fascism in Europe, displaced artists sought expatriation to places that could support their work. Many left behind irreplaceable work and studios. In this context, Marcel Duchamp began creating his <strong><a href=\"http:\/\/www.philamuseum.org\/collections\/permanent\/51693.html?mulR=2503\" target=\"_blank\" rel=\"noreferrer noopener\">Box in a Valise (Bo\u00eete-en-Valise)<\/a><\/strong> in the period from 1938 through 1941, spanning locations from Paris to New York. He was dispossessed and homeless, concerned about the loss of much of his physical legacy since many of his readymades had been destroyed. Duchamp intended the\u00a0<strong>Box<\/strong>\u00a0at first to be a kind of portfolio. But as it evolved the concept expanded to become a \u201cportable museum.\u201d\u00a0<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"277\" data-attachment-id=\"3410\" data-permalink=\"https:\/\/williamcromar.com\/newmediawiki\/co-evolution\/duchamp_boite\/\" data-orig-file=\"https:\/\/williamcromar.com\/newmediawiki\/wp-content\/uploads\/2023\/08\/duchamp_boite.jpg\" data-orig-size=\"400,277\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"duchamp_boite\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/williamcromar.com\/newmediawiki\/wp-content\/uploads\/2023\/08\/duchamp_boite.jpg\" src=\"https:\/\/williamcromar.com\/newmediawiki\/wp-content\/uploads\/2023\/08\/duchamp_boite.jpg\" alt=\"\" class=\"wp-image-3410\" srcset=\"https:\/\/williamcromar.com\/newmediawiki\/wp-content\/uploads\/2023\/08\/duchamp_boite.jpg 400w, https:\/\/williamcromar.com\/newmediawiki\/wp-content\/uploads\/2023\/08\/duchamp_boite-300x208.jpg 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><figcaption class=\"wp-element-caption\"><em>Marcel Duchamp,<\/em> <em>Bo\u00eete-en-valise (de ou par Marcel Duchamp ou Rrose S\u015flavy), 1935-41<\/em><\/figcaption><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<p>The description of his process is fascinating by <a href=\"http:\/\/www.francisnaumann.com\/DUCHAMP\/text.html\" target=\"_blank\" rel=\"noreferrer noopener\">Frances Naumann<\/a>, who maintains that the \u201csignificance of the\u2026 <strong>bo\u00eete-en-valise<\/strong>\u2026 has increased considerably; it is no longer regarded as a mere collection of reproductions having little more than documentary value, but, rather, a unique and important work of art in its own right.&#8221; This is a strange loop: the portfolio has become a work, which could become part of a portfolio!<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Portfolio_case_study_II_A_labyrinth_into_which_I_can_venture%E2%80%A6\"><\/span>Portfolio case study II: <em>A labyrinth into which I can venture\u2026<\/em><span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p>When Joseph Kosuth created\u00a0<strong>One and Three Chairs<\/strong>\u00a0(a kind of portfolio of the idea of a chair), he exploited the idea that text can become an image. Text-as-image became part of the basic arsenal of Conceptual Art.<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<p>Portfolio leanings abound in\u00a0Kosuth&#8217;s work \u2014 after all, expository text is often associated with work imagery in a portfolio. He mashes them up, making text imagery and imagery text. We can see this in <strong>A labyrinth into which I can venture (a play of works by guests and foreigners)<\/strong>. A portfolio in exhibition form hosted by Sean Kelly Gallery, <strong><a href=\"http:\/\/www.skny.com\/exhibitions\/joseph-kosuth2\" target=\"_blank\" rel=\"noreferrer noopener\">labyrinth<\/a><\/strong> was a self-selected retrospective. It combined quotes from literati who have influenced Kosuth, who demonstrates he is as deep a student of philosophy as he is of art. A good portfolio can contain an <em>influence on your work<\/em>, without confusing it with your actual original work. An example exists at williamCromar&#8217;s web portfolio entry for his <strong><a href=\"https:\/\/williamcromar.com\/uccello-chalice\/\" target=\"_blank\" rel=\"noreferrer noopener\">uccello chalice<\/a><\/strong>.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"480\" height=\"367\" data-attachment-id=\"3411\" data-permalink=\"https:\/\/williamcromar.com\/newmediawiki\/co-evolution\/kosuth_labyrinth\/\" data-orig-file=\"https:\/\/williamcromar.com\/newmediawiki\/wp-content\/uploads\/2023\/08\/kosuth_labyrinth.jpg\" data-orig-size=\"480,367\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.8&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon PowerShot A610&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1160655485&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;7.3&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0.125&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"kosuth_labyrinth\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/williamcromar.com\/newmediawiki\/wp-content\/uploads\/2023\/08\/kosuth_labyrinth.jpg\" src=\"https:\/\/williamcromar.com\/newmediawiki\/wp-content\/uploads\/2023\/08\/kosuth_labyrinth.jpg\" alt=\"\" class=\"wp-image-3411\" srcset=\"https:\/\/williamcromar.com\/newmediawiki\/wp-content\/uploads\/2023\/08\/kosuth_labyrinth.jpg 480w, https:\/\/williamcromar.com\/newmediawiki\/wp-content\/uploads\/2023\/08\/kosuth_labyrinth-300x229.jpg 300w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><figcaption class=\"wp-element-caption\"><em>Joseph Kosuth, A labyrinth into which I can venture (a play of works by guests and foreigners), 2006<\/em><\/figcaption><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<p>Kosuth\u2019s installation is a lot like a movie or television narrative that uses flashbacks. The works are presented asynchronously, out of order <strong>on purpose<\/strong>. This fulfills a narrative device of creating connections across a timeline. Sometimes, a perfect chronology is the best choice for a portfolio, but sometimes that can get in the way of making connections explicit. <\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Portfolio_case_study_III_Ulysses_and_the_fold-in\"><\/span>Portfolio case study III: <em>Ulysses<\/em> and the fold-in<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p>William Burroughs, the Beat writer, offers an alternative narrative device to traditional chronology, of which Kosuth was no doubt aware. In a brief but highly influential essay from <strong><a href=\"http:\/\/books.google.com\/books?id=yzFL__lUAyoC&amp;pg=PA531&amp;dq=burroughs+future+of+the+novel&amp;source=gbs_selected_pages&amp;cad=3#v=onepage&amp;q=burroughs%20future%20of%20the%20novel&amp;f=false\" target=\"_blank\" rel=\"noreferrer noopener\">The Third Mind<\/a><\/strong> called\u00a0<strong>The Future of the Novel<\/strong>, Burroughs describes techniques of \u201cfold-in\u201d and \u201ccut-up.\u201d These allow an author to <a href=\"http:\/\/www.w2vr.com\/timeline\/Burroughs.html\" target=\"_blank\" rel=\"noreferrer noopener\">collage text<\/a> much the same way Picasso collages space and image. <\/p>\n\n\n\n<p>A portfolio is a narrative, not unlike a novel, and we can find new insight into the threads that tie work across time by exploring Burrough\u2019s fold-in sensibility as a portfolio-making strategy.<\/p>\n\n\n\n<p>The ideas behind Burrough\u2019s fold-in technique have precedent that he acknowledges in the <strong>Novel<\/strong>&nbsp;essay, namely the use of narrative flash-back and flash-forward in cinema. Even almost a century ago, modernist author James Joyce exhibited a fascination with this. He developed a <a href=\"https:\/\/web.archive.org\/web\/20140302063759\/http:\/\/www.themodernword.com\/Joyce\/joyce_film.html\" target=\"_blank\" rel=\"noreferrer noopener\">cinematic technique in the delivery of narrative<\/a> in books such as the notoriously difficult <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Ulysses_%28novel%29\" target=\"_blank\" rel=\"noreferrer noopener\">Ulysses<\/a><\/strong>. Critic Anthony Burgess described Joyce&#8217;s book as<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><em>&#8230; a labyrinth which we can enter at any point, once we have satisfied ourselves as to its general plan and purpose&#8230; [representing] a new wave in the novel, which is quite capable of asking us to treat a work of fiction as if it were a dictionary or an encyclopedia \u2013 something to be stepped into at any point we please, begun at the end and finished at the beginning, partly read or wholly read, a plot of space for free wandering rather than a temporal escalator.<\/em><\/p>\n<cite>\u2014 Anthony Burgess<\/cite><\/blockquote>\n\n\n\n<p>Meaning we can cherry-pick <strong>Ulysses<\/strong>, rather than read from end-to-end. It&#8217;s a little bit like surfing the web or looking at a portfolio somewhere mid-way through.<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<p>Or gazing at Kosuth\u2019s <strong>labyrinth<\/strong>\u2026. How natural, then, that Kosuth was invited by gallery owner Sean Kelly\u2019s wife Mary to collaborate on a work with Duchampian overtones titled <strong><a href=\"http:\/\/www.underconsideration.com\/speakup\/archives\/002722.html\" target=\"_blank\" rel=\"noreferrer noopener\">Ulysses: Wrectified<\/a><\/strong>. Kosuth cut a large hole out of the text and inserted a <strong><a href=\"https:\/\/web.archive.org\/web\/20130206093427\/http:\/\/www.robotwisdom.com\/jaj\/ulysses\/schemata.html\" target=\"_blank\" rel=\"noreferrer noopener\">schemata of Ulysses<\/a><\/strong>. A schemata is a diagrammatic map of thematic elements and character relationships in a text. The unsuspecting reader opens the book to find the schemata folding out of the original text, in accordion-book fashion.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"410\" height=\"314\" data-attachment-id=\"3413\" data-permalink=\"https:\/\/williamcromar.com\/newmediawiki\/co-evolution\/kosuth_ulysses\/\" data-orig-file=\"https:\/\/williamcromar.com\/newmediawiki\/wp-content\/uploads\/2023\/08\/kosuth_ulysses.jpg\" data-orig-size=\"410,314\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"kosuth_ulysses\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/williamcromar.com\/newmediawiki\/wp-content\/uploads\/2023\/08\/kosuth_ulysses.jpg\" src=\"https:\/\/williamcromar.com\/newmediawiki\/wp-content\/uploads\/2023\/08\/kosuth_ulysses.jpg\" alt=\"\" class=\"wp-image-3413\" srcset=\"https:\/\/williamcromar.com\/newmediawiki\/wp-content\/uploads\/2023\/08\/kosuth_ulysses.jpg 410w, https:\/\/williamcromar.com\/newmediawiki\/wp-content\/uploads\/2023\/08\/kosuth_ulysses-300x230.jpg 300w\" sizes=\"auto, (max-width: 410px) 100vw, 410px\" \/><figcaption class=\"wp-element-caption\"><em>Kosuth\u2019s contribution to Ulysses: Wrectified, 2006<\/em><\/figcaption><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Leporello_a_book_with_multiple_readings\"><\/span>Leporello: a book with multiple readings<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p>Without a sewn spine, we call a book made by folding a long paper scroll to make several pages an <strong>accordion<\/strong> <strong>book<\/strong>. Another name for an accordion book is a <strong>leporello<\/strong>. Your portfolio will exist in two environments, one physical, and the other digital. The physical element of your portfolio will be similar to Kosuth\u2019s fold-out. We can read the\u00a0leporello 1) as a traditional book, 2) as a fold-out to be read as one long scroll, or 3) as a mural or a kind of free-standing sculpture. It is often used as a format for an artist&#8217;s book such as the one by\u00a0<a href=\"http:\/\/www.zoekeramea.com\/main\/drawings\" target=\"_blank\" rel=\"noreferrer noopener\">Zoe Keramea<\/a>.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"202\" data-attachment-id=\"3414\" data-permalink=\"https:\/\/williamcromar.com\/newmediawiki\/co-evolution\/keramea\/\" data-orig-file=\"https:\/\/williamcromar.com\/newmediawiki\/wp-content\/uploads\/2023\/08\/keramea.jpg\" data-orig-size=\"500,202\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"keramea\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/williamcromar.com\/newmediawiki\/wp-content\/uploads\/2023\/08\/keramea.jpg\" src=\"https:\/\/williamcromar.com\/newmediawiki\/wp-content\/uploads\/2023\/08\/keramea.jpg\" alt=\"\" class=\"wp-image-3414\" style=\"width:600px;height:undefinedpx\" srcset=\"https:\/\/williamcromar.com\/newmediawiki\/wp-content\/uploads\/2023\/08\/keramea.jpg 500w, https:\/\/williamcromar.com\/newmediawiki\/wp-content\/uploads\/2023\/08\/keramea-300x121.jpg 300w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><figcaption class=\"wp-element-caption\"><em>Zoe Keramea, One Line, 2006<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<p>The Walker Art Center in Minneapolis has devoted considerable effort to a collection of artist books. Curator Rosemary Furtak defines an artist book as \u201ca book that refuses to behave like a book,\u201d&nbsp;which she describes:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><em>I mean books that have no pages, books that refuse to open, books that wear trousers like Daniel Spoerri\u2019s <strong>Kosta Theos: \u201c Dogma I Am God\u201d.<\/strong>&nbsp;I mean books that when opened become sculpture, \u2026 or books that cannot stand upright; <strong>Unnecessary Disclosures<\/strong> by Sarah Peters rolls like a ball and Sarah Parkel\u2019s book <strong>Even The Birds Were On Fire<\/strong> is meant to hang like a Buddhist prayer flag. I mean books with no title page or table of contents or index, books devoid of text\u2026 .<\/em><\/p>\n<cite>\u2014 Rosemary Furtak<\/cite><\/blockquote>\n\n\n\n<p>The leporello, of which Furtak has an <a href=\"https:\/\/www.flickr.com\/photos\/walkerart\/albums\/72157612200489577\/with\/3174840322\/\" target=\"_blank\" rel=\"noreferrer noopener\">extensive collection<\/a>, is a favored format for the artist&#8217;s book.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"334\" data-attachment-id=\"3415\" data-permalink=\"https:\/\/williamcromar.com\/newmediawiki\/co-evolution\/walker\/\" data-orig-file=\"https:\/\/williamcromar.com\/newmediawiki\/wp-content\/uploads\/2023\/08\/walker.jpg\" data-orig-size=\"500,334\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"walker\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/williamcromar.com\/newmediawiki\/wp-content\/uploads\/2023\/08\/walker.jpg\" src=\"https:\/\/williamcromar.com\/newmediawiki\/wp-content\/uploads\/2023\/08\/walker.jpg\" alt=\"\" class=\"wp-image-3415\" style=\"width:599px;height:undefinedpx\" srcset=\"https:\/\/williamcromar.com\/newmediawiki\/wp-content\/uploads\/2023\/08\/walker.jpg 500w, https:\/\/williamcromar.com\/newmediawiki\/wp-content\/uploads\/2023\/08\/walker-300x200.jpg 300w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><figcaption class=\"wp-element-caption\"><em>A sample of Walker leporelli, Spring 2008, from Walker&#8217;s Flicker site, with other views <a href=\"https:\/\/www.flickr.com\/photos\/walkerart\/albums\/72157651341759665\/with\/16183906704\/\" target=\"_blank\" rel=\"noreferrer noopener\">available at this link<\/a><\/em>.<\/figcaption><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>2D digital art 6 | neverending coEvolution A strange loop A study of biology might lead you to the concept of&nbsp;co-evolution. This is defined as the \u201cchange of a biological object triggered by the change of a related object.\u201d This is an apt metaphor for the relationship between your original work and that representation of&#8230; <a href=\"https:\/\/williamcromar.com\/newmediawiki\/co-evolution\/\">read more &raquo;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3,10],"tags":[],"class_list":["post-3396","post","type-post","status-publish","format-standard","hentry","category-2d-digital-art","category-references"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Co-evolution - newMediaWiki<\/title>\n<meta name=\"description\" content=\"Co-evolution: the relationship of portfolio to original work is a strange loop, which we express through the creation of a leporello book\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/williamcromar.com\/newmediawiki\/co-evolution\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Co-evolution - 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